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 DOUGLAS MILLER (1888-1984) CONCERT PIANIST, TEACHER, COMPOSER

Leopold Godowsky (1870-1938)              

Douglas Miller 1935(?) and 1951(?)

From the mid nineteenth century and throughout the lifetime of Douglas Miller musical activity in Liverpool, home to the Royal Liverpool Philharmonic Orchestra, was intensive and many faceted, whether in concert giving, music education and training, encouragement of the arts, new music initiatives, choral work, opera and ballet, music in church, orchestral ensembles and so on. Several celebrated musicians of the time were natives or resided there. Concert audiences had the opportunity of hearing a galaxy of the world’s greatest performers, with or without orchestra – among pianists Liszt in 1841, Bartok, Josef Hofmann, Rosenthal, Dohnanyi, Backhaus, Busoni, Godowsky, Bauer, Egon Petri, Schnabel, Solomon, Rachmaninoff  through to more recent figures as Gilels, Richter, Barenboim, Rubinstein, Ogdon, to mention only a few. These extensive activities are chronicled in “Two Centuries of Music in Liverpool” by Stainton de B Taylor (Rockliff Bros Liverpool, out of print).

 

It is perhaps unsurprising that Miller, who had trained in Germany with Godowsky, one of the greatest of pianists, was able to enjoy opportunities and rewards by remaining in his home city to compose, teach and perform, the three facets of his musical personality that occupied his whole life. Also during the period from 1900 onwards a remarkable concentration of six eminent concert pianists and artist-teachers happened to reside in or near the city; they collaborated from time to time in recitals, artistic and social ventures. Gordon Green and his wife Dorothy ran a private dining club ('23 Hope Street') near their home, no 33, where performers at Philharmonic Hall along with other friends could relax and socialise.

                       Gordon Green 1934        Gordon Green in later life          Stephen Wearing

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                                                   THE LIVERPOOL ARTIST-TEACHER PIANISTS

 

Herman Steudner-Welsing  (1857-1913) teacher of conductor Sir Thomas Beecham as a youth, also of composer-pianist Cyril Scott (1879-1970) whose home was in Birkenhead

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Frank Bertrand (1871-1939) pupil of Leschetitsky in Vienna, teacher of Douglas Miller

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Josef Greene (1883-1969) praised by Paderewski and described by Cortot as a “great artist-teacher”

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Stephen Wearing (1900-1978) pupil of Josef Greene and Frank Merrick, distinguished as soloist, accompanist and teacher, many concerts and recitals in Liverpool and nationally

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Gordon Green (1905-1981) pupil of Frank Merrick & Egon Petri, concert pianist, professor at RMCM and RAM, teacher of John McCabe, Sir Stephen Hough, Martin Roscoe, Philip Fowke, Christian Blackshaw, Gordon Fergus-Thompson, Martino Tirimo, John Ogdon etc         https://en.wikipedia.org/wiki/Gordon_Green_(pianist)

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Douglas Miller (1888-1984) pupil of Frank Bertrand and Leopold Godowsky, first pianist to perform Rachmaninoff's Piano Concerto no 3 in UK. Teacher of Simon Rattle, Suzanne Cheetham

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Ronald Settle (1909-1998) pianist, composer and author, pupil of Frank Merrick, Egon Petri and Wilhelm Backhaus at RMCM, long career associated with music in the theatre.

https://en.wikipedia.org/wiki/Ronald_Settle

 

Another local teacher, resident in Wirral, Thomas Johnson (1908-1989) pianist, composer and editor, pupil of Frank Merrick and Frederick Dawson at RMCM, gave the first broadcast of Raff's Piano Concerto and Reger's Variations on a Theme of Beethoven, first Liverpool performance of Sibelius' Piano Sonata

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                   WILLIAM DOUGLAS MILLER  - PUPIL OF LEOPOLD GODOWSKY IN BERLIN AND VIENNA,

                                                           TEACHER OF SIMON RATTLE

 

MILLER was the sixth child of prominent maritime lawyer Alexander Miller, brought up in a well-to-do part of Liverpool near Prince’s Park. As a gifted young pianist he attended Liverpool College. His piano teacher Frank Bertrand had been trained in the  Leschetitsky tradition. Bertrand encouraged his eighteen year old pupil to apply to Leopold Godowsky who at that time was resident in Berlin.

 

Already an embryo composer Miller wrote in hope to Rachmaninoff in Dresden requesting lessons. Rachmaninoff did not teach composition. Undaunted the young man was accepted by Godowsky at audition in January 1907, remaining in Berlin until 1910 as a member of the master pianist’s class. In 1913 he spent time in Vienna with him for one to one tuition. During these periods he would return to Liverpool for several months. He married Dorothy Bateman (Dolly) in August 1914. After a spell as a Second Lieutenant in World War 1 Miller returned to Liverpool, his base until his death. He performed Rachmaninoff’s Second Piano Concerto in 1910 and would have been first pianist in Britain to perform the Third Concerto Op 30 had not the composer himself presented it in Liverpool and London in 1911.

 

William Douglas Miller was a very gracious, kind and immensely talented personality who had no desire to make a career as a touring recitalist, happily restricting his concert activities to north west England, and for many years was a sought after piano teacher whilst composing steadily up to his final months.  During  sixty years Miller gave many concerts and recitals, rarely outside Liverpool. For relaxation he enjoyed bird watching and countryside walks with Dorothy. He was short sighted and wore blue tinted spectacles. Most often he would smoke a pipe as he worked at piano and desk. On the mantelpiece at their home, 42 Catharine Street, was displayed a signed letter of commendation from Godowsky “Douglas Miller has gained a mastery in his art that enables me to cheerfully recommend him as a pianist”. From time to time he participated in giving public talks or lecture recitals. In addition to private teaching Miller was listed on the Liverpool School of Music staff alongside Gordon Green, Dr Caleb Jarvis, Frank Bertrand etc.

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In “Simon Rattle: the making of a conductor” (1987) author Nicholas Kenyon writes about Miller’s teaching of the talented young musician as he tackled some of the big piano repertoire works alongside early conducting opportunities.  In July 1971 Miller, for his last public performance, played the piano part in Stravinsky’s ‘Second Suite for small orchestra’ conducted by his 16 year old pupil Simon Rattle. Once the latter became a student at Royal Academy of Music he had Gordon Green as piano professor but they didn’t really hit it off  - the pupil didn’t practise enough for the teacher’s liking.

 

Among composers Miller had a particular interest in John Field’s solo and concerted works; among contemporary composers Walton, Bax and Medtner. In 1914 Joseph Williams, London published his slim booklet “The Problem of the Minor Scale and its Solution”. The Millers’ only son Nicholas who died in 1958 at the early age of forty one was senior lecturer in radiation chemistry at Edinburgh University and also worked in Canada as part of the Anglo-Canadian Atomic Energy Project. His father’s response to the loss was to compose the first of ‘Two Nocturnes’ as a memorial (published by Paxtons, London 1960). A Third Nocturne was written later on. A very rare recording of Miller playing Nocturne no 1 in 1965, and Nocturne no 2 played by John Peace can be heard in a Youtube video - scroll down page.

 

Miller’s compositions (click Compositions page) are, in the main, scores for one and two pianos along with three ballet scores composed for performances by the prestigious Liverpool Ballet Club. Margo Fonteyn, Robert Helpmann and Frederick Ashton danced with the company in 'Giselle' in 1936. Of Miller's three piano concertos, the first was broadcast in 1924 conducted by Adrian Boult, the second and third performed with Liverpool Philharmonic Orchestra (later RLPO).

 

At the dinner organised by his friend Raymond Perez (a Stephen Wearing pupil) to mark the ninetieth birthday in 1978 Douglas Miller was fêted by many notable fellow musicians and friends as an outstanding contributor to cultural life in Merseyside. The evening began with  Wearing and Reginald Blackburn playing  Saint-Saëns ‘Variations on a Theme of Beethoven’.  Among many tributes and signed photos were those from Shura Cherkassky, Sir Clifford Curzon, Ronald Stevenson, Gordon Green, Sir Charles Groves, Anthony Hopkins, Sir Peter Pears and Radu Lupu (pupil of Heinrich Neuhaus  who had studied with Godowsky). Perez printed a birthday booklet containing some of the tributes (click Gallery page of signed photograph tributes). The following year Liverpool University conferred on the pianist an honorary MA degree.

                                               

                                                

    Scroll down for images and Youtube recordings

 

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Contact jp755252@gmail.com with any additional information

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